Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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Albrecht Altdorfer Alexanderschlacht, Detail oil painting


Alexanderschlacht, Detail
1529
Painting ID::  65936
Albrecht Altdorfer
Alexanderschlacht, Detail
1529
   
   
     

Albrecht Altdorfer Floriansfolge, Szenen zur Legende des Hl. Florian, Szene: Gefangennahme des Hl. Florian, Detail oil painting


Floriansfolge, Szenen zur Legende des Hl. Florian, Szene: Gefangennahme des Hl. Florian, Detail
1516-1518 81,5 x 65,3 cm
Painting ID::  65970
Albrecht Altdorfer
Floriansfolge, Szenen zur Legende des Hl. Florian, Szene: Gefangennahme des Hl. Florian, Detail
1516-1518 81,5 x 65,3 cm
   
   
     

Albrecht Altdorfer Auferstehung Christi oil painting


Auferstehung Christi
Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, Predella, Außenseite des rechten Predellenflugels, Szene: Auferstehung Christi 1518 Oil on wood 71 X 37,8 cm
Painting ID::  67623
Albrecht Altdorfer
Auferstehung Christi
Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, Predella, Außenseite des rechten Predellenflugels, Szene: Auferstehung Christi 1518 Oil on wood 71 X 37,8 cm
   
   
     

Albrecht Altdorfer Geburt Christi oil painting


Geburt Christi
Date 1507 Dimensions 41,8 x 31,5 cm
Painting ID::  71793
Albrecht Altdorfer
Geburt Christi
Date 1507 Dimensions 41,8 x 31,5 cm
   
   
     

Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz oil painting


Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
c. 1509-1516 Oil on wood 128,5 X 94 cm cjr
Painting ID::  74879
Albrecht Altdorfer
Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
c. 1509-1516 Oil on wood 128,5 X 94 cm cjr
   
   
     

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     Albrecht Altdorfer
     German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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